Viewers will likely feel similarly connected to the characters whether they graduated high school in the 60s or last spring. works to give young adulthood some of its ceremony back. Beginning as an examination of rites of passage, neighborhood malaise, the loss of adolescence, it soon develops into a textured portrait of the suburbs as a transitory space, where teenage posturing and the act of 'finding yourself' takes on a quality of reckoning with the disappointment of the world as a . [2] The story takes place at home, at his different schools, at the doctor's office (for his never-ending acne treatments) and at various other locales around town. Like his previous works, Ham on Rye is set in Los Angeles where the author grew up. Then tables are cleared, and a kind of free-form movement begins, with awkward teens trying out idiosyncratic dances. At the age of three, he came with his family to the United States and grew up in Los Angeles. Ham on Rye (1982) is not only a loosely constructed autobiographical novel of Bukowski's distressingly poor childhood during the Depression, but it also qualifies as the novelist's version of. The passage of time from adolescence to early adulthood is an uncanny experience for I presume just about everyone, but the ephemerality of modern digital life must only make it worse. The teenagers most of them acting first-timers, with an untrained awkwardness in tune with the off-kilter vibe collect into little tribes, on their way to a bizarre social event, held at the uninspiring Montys Deli. [3] It begins with Chinaski's early memories. ". Where Kaufman jams his long sweeping camera shots and claustrophobic car journey with anxious forced repartee, Taormina pushes his lens uncomfortably close for extended runs with little dialogue. One also notices that while before the dialogue was ambiguously foreshadowing, now its ambiguously looking backwards (the way Lund put it is, in the second half the dialogue becomes more textural than expository.) And this all leads to a backyard cookout populated by a large group including some faces at least vaguely familiar to viewers of the millennial demographic: Lori Beth Denberg of, (1994-98), Danny Tamberelli and Aaron Schwartz of, The one character that carries over from the pre-ceremony segments to the post- is Haley, played by the same Haley Bodell of, , whose only acting credits to date are for Taormina. Cookie policy. I think you could read Ham on Rye along those exact linesits not cute anymoreand come away with a pretty fair understanding of the film. This stems in large part from his home life, in which he is beaten frequently (often for no reason) by his father. Now, as a memory growing more distant every day, all thats left is the dreamlike impressions of these places Ive loved so much and then abandoned. Same goes for something that Taormina said to AwardsDaily in early 2019, which seems way too key not to reproduce here: The script was born through that feeling of nervous confrontation to [rituals] and then it bloomed into What happens to those who dont get selected?, he said back then. Written as a biography of a young boy growing into manhood lacking self confidence and love and always fighting with feelings of self loathing. However, he rarely is completely confident with his own abilities and often second-guesses himself. And its here that the film matures into a weirdly sorrowful look at what our world does to teenagers, at the exceptionalism peddled to them without any sense of what they are exceptional from, and how much more likely it is, when you deal in the currency of exclusivity, that you will end up among the excluded. Today is David Lynchs birthday, so its appropriate to be thinking about rotting picket fences right now. This article is licensed under the GNU Free Documentation License. And so by the time it reaches the mythic ceremony that occurs near its halfway point, Ham on Rye has successfully conjured up a cinematic space where all those aforementioned experiences have been quite purposefully blended together, forming a sunlit anxiety dream of a generic suburban upbringing. We had done a music video right before going into production on this that was very psychedelic, with a lot of superimpositions and really garish lighting schemes, so maybe that was feeding into it as well.. Ham on Rye makes no such assurances which of course makes it more honest, even if its oblique lessons will be heard by a tiny, tiny fraction of the number who navigated adolescence by the compass of John Hughes. and come away with a pretty fair understanding of the film. Carson Lunds superb cinematography, apparently influenced by photographers like William Eggleston and Stephen Shore, picks out boys riding skateboards, borrowing Dads Volvo, and talking about the crucial importance of boning, like its a philosophy, like theyre the first ones ever to have had so original a thought. They need to prove something to themselves. [Bodell and I] worked on Suburban Legends, then a short film Wild Flies, and finally Ham on Rye, Taormina said. Jake tries to persuade Louisa to spend the night at the house. in emptied-out spaces like bedrooms and street curbs, completing the articulation of a metatextual idea first initiated by those kids-television cameosthe image of the child stars left behind. Like a spectre left haunting the grounds after her fellows have moved on, the Haley character spends the second half of Ham on Rye in emptied-out spaces like bedrooms and street curbs, completing the articulation of a metatextual idea first initiated by those kids-television cameosthe image of the child stars left behind. Written in the first person, the novel follows Henry Chinaski, Bukowski's thinly veiled alter ego, during his early years. First time director Tyler Taorminas landscape in Ham on Rye (85 minutes) is both smaller and larger than Kaufmans Im Thinking of Ending Things. The mood is now fairly forlorn, best embodied by Sloan (Cole Devine), a 20-something cook at Montys whos mourning some kind of loss. The grotesque-looking boils of his acne vulgaris will eventually turn their excuses for hating him into an ostracizing trifecta. I was able to participate in a group reading of that last work quite recently and found it, somewhat predictably, to be exceptionally pictorial in natureeven on the page. As a prequel to Bukowski's previous novels, Ham on Rye depicts the origin and development of many of the reoccurring themes of his work as well as the persona of Henry Chinaski. He achieves a number of other startling effects in this impressive movie, which sheds its naturalism slowly as it embraces a surrealism thats both disquieting and poignant. [4] He often resorts to violence when confronted with those who alienate him, giving him a tough guy image to his peers. Louisa thinks repeatedly about terminating their seven-week relationship. Director Charlie Kaufman (Eternal Sunshine of the Spotless Mind) ratchets up American gothic to psychological horror as he distorts time, place and relationships, scattering uneasy references to the musical Oklahoma, the film Woman on the Verge of a Nervous Breakdown, and poetryIntimations of Immortality. Louisa may be thinking of ending itbut Jake may actually be the one to end it after all! Like a hoagie sandwich filled with meat and lettuce, thats a quintessential American suburban item., Over 100 Cast Members and No Permits: How I Shot, in Los Angeles, the films faceless neighborhood locations were stolen from various spots across that cityso for example. Written in the first person, the novel follows Henry Chinaski, Bukowski's thinly veiled alter ego, during his early years. Its such a music-driven filmwere all musiciansand one of the things we did talk about a lot in preparation, especially for the Montys party sequence, was 80s music videos, Lund mentioned later. One also notices that while before the dialogue was ambiguously foreshadowing, now its ambiguously looking backwards (the way Lund put it is, in the second half the dialogue becomes more textural than expository.) And this all leads to a backyard cookout populated by a large group including some faces at least vaguely familiar to viewers of the millennial demographic: Lori Beth Denberg of All That (1994-98), Danny Tamberelli and Aaron Schwartz of The Mighty Ducks (1992) and The Adventures of Pete & Pete (1992-96), and Clayton Snyder of Lizzie McGuire (2001-04). Thats suggested from the starta scene at a public park that under another director mightve been rendered chaotic but that under Taorminas eye is cut down into digestible insert shots which seem to archive each action or gesture: a hand trying to spark a cheap lighter, another working to retune a guitar, yet another grasping an ad-perfect glass of lemonade. Bukowski's Ham on Rye and the Los Angeles Novel. "Ham on Rye" can be taken as an allegory for middle-class suburban life in America, but it's got added value as a potent mood piece, accomplished with a bare minimum of means. For independent filmmakers, Los Angeles is a city of contradictions: it's both an ideal place to congregate with likeminded artists and craftspeople, and a truly daunting place to actualize on . Ham on Rye makes no such assurances which of course makes it more honest, even if its oblique lessons will be heard by a tiny, tiny fraction of the number who navigated adolescence by the. Like for instance, one boy carries around this strange pig toywhich of course aligns with the films title as well as with another scene where someone refers to porking [as] the ultimate purposethat eventually lands in the hands of an older character, who discards it with some disgust. [1] Scenes outside of Los Angeles show Chinaski as an intruder, as with an early scene where he and his family are chased out of an orange grove. Following a nocturnal tour of the now much-less-populated location (in a scene that for me betrays Lund's appreciation . To most patient eyes, it will look like a gentle ode to those who seemed part of the crowd in high school, then simply didnt transform into the kind of adults their peers chose to be. Promotional materials bill Tyler Taorminas Ham on Rye as a coming-of-age comedy, comparing it to Dazed and Confused and John Hughes films. But then, ringleader Gwen (Audrey Boos) really has to shit and skips across a lawn to up to a house, and however, the shot is framed and lit, it looks like 70s De Palma, all glowy and romantic with a foretaste of horror. The next negative influence that Henry faces is from his mother since she is never really there for him and has no real connection with Henry other than being her offspring. 4 [deleted] 2 yr. ago Chinaski has been compared to both Frankenstein's monster and Kafka's Gregor Samsa, because of his alienation and outcast resulting from his "monstrous" appearance. Depressing and dark. However, this thread would be disingenuous if I did not say that I identified so strongly with Hank. The kids have phones, but they seem to be flip-tops, seldom used, and when later some of the older boys glide off into the night on more modish electronic hoverboards, somehow the contradiction doesnt disrupt the films own little enclosed continuum. Increasingly fearful Louisa insists on returning to her own apartment. Well come to identify most with Haley (Haley Bodell), a mild-mannered girl who, like her two friends (Audrey Boos and Gabriella Herrara), is more dressed for a conventional school dance than most attendees. Werent most of us? We didnt want anything to seem like it was supposed to speak to some general moral or lesson, [but to] just let the mood and the vibe point in those directions instead we couldve very easily ruined the film with just a few lines of dialogue, I think, and Eric was very commandeering about us not doing that.. At the start of the film, before the dance, you get a sense of the excitement and hope for the future. Whether his thoughts are good/bad, right or wrong, he said them! Probably more than anything else, Ham on Rye works to give young adulthood some of its ceremony back. special is how dutifully it avoids the lack of depth that usually accompanies utilizing deliberately generic settings. To make matters worse, Chinaski develops horrible acne so severe that he has to undergo painful, and mostly ineffective, treatments, essentially becoming a human guinea pig for various experiments thought up by his uninterested doctors. But it is also Inauguration Day 2021 and Ham on Rye is heartening evidence that even throughout the last few years of permanent, screeching crisis, there have been filmmakers paying attention to the smaller things, to the more mundane cruelties of our world, that will require much more than a change of administration to address. For example, Henry's parents, like Bukowski's, had met in Germany after World War I. She is, in fact, a victim of her husband's brutality as well. but that said, it doesn't really matter. Brewer, Gay. That was very hard to find. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. Quiet and carefully made but cryptic, it relies on the viewer to complete its metaphors. Were not told when the film is taking place, or where the film is taking place, or even whats the deal with this big local event all the kids are moving towards. "Will you stop that?" my father said loudly. Carson Lund's superb cinematography, apparently influenced by photographers like William Eggleston and Stephen Shore, picks out boys riding skateboards, borrowing Dad's Volvo, and talking about the crucial [] The main character was a boy, born in Germany, then moved to the US, where he grew up. So to both make and spruce up the required disclosure, let me say that I not only consider Carson Lund a close friend, but that I also consider myself a dedicated fanof. He locks himself away inside himself to protect himself from the expected loathing from others never allowing himself hope that someone would love and under him. So to both make and spruce up the required disclosure, let me say that I not only consider Carson Lund a close friend, but that I also consider myself a dedicated fanof his film criticism (which also includes notes for the programs of the Harvard Film Archive), his music, and now of course his filmmaking practice, which in addition to his cinematography for Taorminas feature also includes a short film that he produced and directed in 2016, Starr Farm, and a screenplay that he co-wrote and hopes to direct sometime in the near future. 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In the beginning, and just for a little while, Tyler Taormina's "Ham on Rye" seems like every other no-budget suburban coming-of-ager you've ever seen, if maybe better shot. It seems like in some poems somewhere I've seen Bukowski talk about reading the great philosophers and he seemed to work his way out of the classes, to become his own man free from all the constraints of the working man.It took a hell of a long time, but he did it through perseverance. As Henry grinds his way through Junior High School, he discovers the manifold pleasures of alcohol and masturbation. It became about the suburbs I grew up in, and those teenagers left when college began and they didnt come back and a whole generation of teenagers disappeared and who was left? But I am really interested in seeing how these objects flow from person to person, and then get cast out into space.. Bukowski's words aren't going anywhere at this point. Executive producers: Tyler Taormina, Eric Berger, Kevin Anton He becomes alienated from the children at school simply for somehow being different in a way that none of them could ever coherently articulate. In other parts of town, slightly older kids, a bit disheveled and aimless, drive around in cars, tune guitars and look dissatisfied. They literally haunt my dreams.. How in the hell could a man enjoy being awakened at 8:30 a.m. by an alarm clock, leap out of bed, dress, force-feed, shit, piss, brush teeth and hair, and fight traffic to get to a place where essentially you made lots of money for somebody else and were asked to be grateful for the opportunity to do so? Fontana, Ernest. All the dread and the emptiness is what comes up after the big Monty's scene, when day turns to night, and when most of Ham on Rye's first-half cast disappears from the picture. Like a spectre left haunting the grounds after her fellows have moved on, the Haley character spends the second half of. Then the something-weird happens and "Ham on Rye" turns its attention to the teenagers who weren't at the dance: Haley, who left in a pique of embarrassment after being passed over by a boy . Though Haleys one of the prettier girls here and has no apparent social shortcomings, shes still unchosen as the room empties out. Unspoken is the key word there: During this first movement of Ham on Rye, whats most narratively engaging is the matter of whats been established for sure vs. whats left deliberately unclear. As Chinaski progresses through grammar school, the focus of Henry's attention is on sports, violence, and girls. [4] He often resorts to violence when confronted with those who alienate him, giving him a tough guy image to his peers. Twayne Publishers, New York, 1997. p. 40, 41. My mother smiled. You are using an out of date browser. Charles Bukowski (16 August 1920 - 9 March 1994) was a German born American poet, novelist and short story writer. Its a day were going to remember for the rest of our lives, says the opening dialogue, and the generic phrasing blurs certain lines to build upon the very particular biorhythmic point where Taorminas movie takes place: A kid who says that might be talking about their prom, or about having sex, or about moving out, or maybe even about school graduation, among other possibilitiesbut no matter what, theyre probably talking about something meant to happen in the period that weve come to calling the teenage years. Filed Under: A+E, Film. Mailboxes were very hard to find. Its depiction of the American Suburbs feels less like a screenwriters nostalgia trick and more like the visual translation of a genuinely mental image, rich with detail and specificity. In this case, the transgression is, oddly enough, staying at home with your familyand its definitely not a cool one. Brewer, Gay. And Tyler loves grunge from the 90s. 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