Boozenight, which included Paul Watson's follow-up to Rain in my Heart, was shown on Thursday, 13 Dec on BBC TWO. Numerous parts of the documentary further emphasise this intimacy as we the viewers are taken into the houses of these subjects, as if given permission to enter into anothers personal space which itself is also intimate in the context of the style of filmmaking here (observational). To illustrate, each of the documentary objects have had their own monsters in their heads, to my mind, they are in a sense weak or have a big weakness- alcohol, therefore Pauls use of characters (Vandas) confession about her monsters or at the same time the reasons why she might be came to drinking helps not only the filmmaker but us in getting closer to this unfamiliar woman and her story. Other examples are when he continuing to film Nigels wife as she said goodbye to her dying husband in the hospital and when Vanda told a deep secret about the reason she became an alcoholic. So I guess Im not satisfied with his attempts to explain himself during the film, but only because I think he didnt need to in the first place. Although, there are several moments when this filmmaker and subject relationship is close to breach, he retains his role of confidentiality and recognizes that the subject may not be too sober to make such ethical decisions of what they would like in the final cut or not. http://news.bbc.co.uk/1/hi/programmes/newsnight/7140605.stm. My main criticism of the film is Watsons commentary on the events and decisions made during filming. I think that Rain in my Heart was a very interesting documentary to watch and posed many questions about the ethics of documentary filmmaking. Watson edits and cross-cuts footage to emphasize reccuring themes across the alcoholics. It cant be argued that the documentary would have given Watson some amount of attention from viewers for filming subjects in the vulnerable state they were in, its in this sense that the word exploitation would be more appropriate. Because I think it break the engagement of the audience. I can understand how to other viewers, this film may be seen as a breach to ethics within filmmaking, with how Watson gets so close with his vulnerable subjects, however, I feel that Watsons approach is what makes this film such a powerful observation. My eyes are dry, my love, since you've been gone, I haven't shed a tear, I'll never cry, my love, though every day seems like a hundred years, For I'm just a fool who clings to his pride but when I'm alone, I can hear the sound of rain in my heart, of the tears that I hide, And it tears me apart, 'cause I keep them inside, I can't get away from /Users/abgsaniya/Desktop/hqdefault.jpg. Whats offensive? Thus exploiting their vulnerability to further push their weakness and end up with footage that will strike the audiences attention and maybe even get better ratings. This for me over steps the boundaries of ethical filming. I personally think he dealt with this extremely well. I feel he mistakes this forced friendliness by asking more and more personal questions as he continues to film her. I think Paul Watson has exploited his subjects in some point. It is obvious that this documentary was extremely influential to those who have seen it, I have attached a link below of a Facebook page a viewer has made (who obviously has personal issues and experience with alcoholism). For someone to say that Watson exploited the people in the film is to say that he harmed them in some way, which I dont think he did. Although uncomfortable to watch this shed some light if not clarity into the source of Vandas drinking. " "Before there is peace, blood will spill blood, and the lake will run red. Change), You are commenting using your Twitter account. But theres a film within and around the film, one that Steven Spielberg didnt make but that he or someone else should have made: Spielbergs List, the story of the casting call for the actresses who would be getting undressed and going into the gas chamber that turns out to be a shower. When watching the film, there various moments where I felt Paul Watson over stepped the mark, and exploited his subjects. At the same time, I do think Paul Watson exploited his subjects. Probably. In addition, how is one to really define what constitutes as being exploitative? The truth of this film is that it brings attention to parts of life that as a society we tend to stay quiet about and so by being a representation for people who go through something so scary, life changing and threatening it can never appear wholly ethical. Paul Watson has none of this. Rather, this extreme showing of suffering is an eduction, to open the spectators eyes to this disease and its effects. Instead of the man behind the camera, we see him completely bare, exposing himself to the audience. He explains himself, he is aware of what he is critised for, but overall has achieved an importantly informative film about alcohol and its effects. Overall were the subjects happy to be on film? There is also the repetitive clip of when Vanda says her monsters are in her head. This is followed by a sequence of Claire crying at his funeral and shots of the casket. The subjects had all agreed to be filmed but the thought of switching the camera off and helping must have been fairly strong. For I'm just a fool Who clings to his pride But when I'm alone I can hear The sound of rain In my heart Of the tears that I hide And it tears me apart 'Cause I keep them inside I can't get away From the sound of the rain In my heart How could I know, my love I was a toy Only a game to you? Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. Although this had a huge dramatic effect upon the viewer and it allowed the viewer to analyse the particular situation multiple times, I felt that Paul Watson was portraying them as if they were less in control of what they were saying, almost as if they were crazy. It may be their escape from their issues, and what I think is also important to keep in mind is that if they are using alcohol for this reason, then it could have easily been any other drug. Watson creates this feeling in his editing, which makes his points and connections better but is never pleasant as an aesthetic experience. Outside, the sparrows on the roof Are chirping in the dripping rain.Rain in my heart; rain on the roof; And memory sleeps beneath the gray And the windless sky and brings no dreams Of any well remembered day. Firstly, if you are an Alcoholic to the extent the four patients were, it is not possible to have a clear judgment or make a legitimate decision. If she was lying she wouldnt tell him would she? But all of these elements and attitudes of the filmmaker were performed in order to achieve a result of what alcoholism really is and of how serious and dangerous its consequences can be. Surely, this would mean that his documentary would attract more viewings but at least that would mean that more and more people would learn and be warned about the effects of alcoholism. He does however, tell her that he will ask her when she is sober if she wants to keep that in. This is the only area where I can see possible wrongdoing on Watsons behalf. This is a scene which perhaps does challenge the idea of ethics by posing the question of how FAR can we go to observe? 56,514 people are reading stories on the site right now. However in the documentary there is a shot of him asking Why am I asking you to watch Nigel die? and he then says that Nigels wife, Kath, had wanted it to be shown so that the audience would be made fully aware of the consequences of alcoholism. Rain in my Heart was an incredibly touching yet dark documentary about the wide spread issue that is alcoholism, and at points I was touched by the way in which Watson presented his subjects and their problems. Paul Watson was capturing the real lives of these alcoholics, he was not interfering with their actions and allowed alcoholics who were told if they drink anymore they could die, to drink. I felt as if Watson was genuine in the fact that he did care, he wanted to see the subjects overcome their problems, in a scene where he is at Vandas house, he stands with her and says although he cant stop Vanda from drinking, he doesnt want to see her do it. White envelopes included. This means as subjects they must think the documentary will help. Alcohol is used as a coping mechanism, to which Watson openly investigated in particular with Vanda. BBC - Rain in My Heart Watch now This powerful documentary from fly-on-the-wall pioneer Paul Watson provides a raw account of four alcohol abusers from the impoverished Medway towns of north. I think the fact that this documentary is so hard to watch gives light to the reality that alcoholism is incredibly hard to live with, and by being so thorough the film shortens the gap between subject and audience. We have to remember that all the subjects gave their full consent to be filmed. Tonis most exploitative scene, as I believe, is when she is shown unconscious a few days before her death. But if some of us dont record it, no one else will learn about it. During the documentary, Mark (one of Watsons subjects, aged 29) states that he agreed to do filming for Paul to show people why they should not drink alcohol. Filmed in 2006 the film. As an audience member I am conflicted as to how satisfied I am with how Watson deals with accusations about him exploiting the audience. He acts incredibly friendly with her by holding her shoulders when talking to her, slapping her cheek when she has fallen asleep from drinking etc. Property surveys are public records and you can request a copy of any existing surveys from your county or local municipality. At one point it says: This type of documentary is not the best way to explain or explore alcoholisms origins. Although he felt a great need to capture this real footage, it was only when he almost invaded the subjects personal space (their homes) knowing they would be under the influence of alcoholic beverages, did they begin to open up emotionally and share extremely personal experiences. Penny recalls being so scared. She was also married to him. Rain In My Heart is a 2006 documentary about alcoholism. It is true that there are not many cut ins of his own questioning however Watson thought it be inappropriate to constantly show his own personal struggles when his subjects are undergoing way more traumatic psychological illnesses. I wanted to look away and the only reason I didnt was because I felt (as i think Watson does) an obligation to make a point of the four subjects publicized suffering. Also while researching I found a Guardian article discussing the film. Play over 265 million tracks for free on SoundCloud. Four alcoholics in and out of hospital over a two month period, reality at its most real. Twenty-nine when he appeared in Rain in my Heart, Mark was living on his own in an untidy flat that closely reflected his own state. He pressed forward with the interview and filmming in the crual moment such as his subject vomitted and had a hard time with pain. Twenty-nine when he appeared in. Rain In My Heart is a weird documentary to watch for me because it is based very near my hometown. Rain In My Heart by Edgar Lee Masters There is a quiet in my heart Like on who rests from days of pain. The subject was in a particularly vulnerable state and he took advantage of that and filmed her confession. WEEK 4 QUESTION:Are there moments when you feel that Paul Watson has exploited his subjects in this film? The subject is not exploited as she has consented Watson to film her in her most tragic state and all of this psychological revealing is not only for Watsons own good but for the audience as they are being warned off the overuse of alcohol. I think it is not proper for observational documentary, Watson deliberately shows his audience of certain moments to lead them into a certain emotion, which i think might be too subjective. I think to use the word exploitative to describe the techniques used by Watson to film Rain in my Heart upon his subjects is an unfair judgment. Otherwise it would not have been so real and touching and would not have had such an effect on those who watch it. This is just one example of the reaction that Watsons Rain in My Heart provoked; Not something that is watched and easily forgotten about. Makes a great gift for people who love cats or play the Secret Cat Forest game. Thus creating awareness, insight into the medical world and the rising figures of binge drinking, alcohol abuse and its rippling consequences. He just shined a light on a topic a lot of people often avoid. 'Fires were started' (1943)may easily come across as simply a fictional film due to the stylistic use of non-diagetic sound and scripted narrative. And the audience is living the pain through the subjects, and that is the best outcome to achieve, making the subjects exploitation almost worthwhile. I was completely satisfied with his attempts to deal with accusations of taking advantage of their vulnerabilities throughout the film. I did not really feel that Paul Watson uses his characters, unless he tried to observe the process of drinking, or returning to the alcoholism after abstaining from it. The film probably brought him a lot of attention (both positive and negative), which means hes profited from filming his subjects problems. However, what I think strongly outweighs this are the positive effects of the film in terms of education. Half a bottle of vodka on the train to work at the age of 17 began Mark's journey into alcoholism. This is a bit more than just explaining the distress the subjects are going through. Stream "I've Got Rain In My Heart" by The Fresh Experience on desktop and mobile. He had been in a coma for weeks after his intended sacrifice and showed no sign of waking up. These subjects were all willing participants, however their capacity to give consent comes into question. Nervous about designing and ordering your card online? This was a devastating and emotional sequence for me. Frank SinatraCycles 1968 Frank Sinatra Enterprises, LLCReleased on: 1990-01-01Producer: Don C. I felt connected to him because he was allowing us, the audience; to see that he too was going through an ethical debate about whether what he was filming and the position he was taking was morally right. But that is not a bad thing. Explaining hell it is! Watson had to exploit his subjects in order to create such an amazing film. When researching the film I found a web page (which is a old BBC one). That both are now vulnerable because they/we are putting ourselves forward to talk about something that is often bypassed. This I feel undermines what his role as a filmmaker is as it shows his intentions for the direction of this documentary. At no point during the documentary did I feel that the filmmaker was exploiting the subjects, the recording of what can be described as personal and intimate situations felt more like a significant necessity with moral intentions towards bringing awareness towards the seriousness of the consumption of alcohol. I think that the mutual awareness of the situation between subject and filmmaker, despite the subjects inebriation, helps to prove that it is not exploitative. It is hard to be objective about this film because it is so easily relatable to me, I live equidistant from Medway hospital and Maidstone hospital, and most people avoid Medway because of its reputation. This scene is perhaps one of the more uncomfortable in the film as Watson is merely documenting Vandas relapse back to alcohol and the range of mood swings she encounters. Basically, I think Paul Watson is really successful in showing the facts and emotional stuff in this documentary. I doubt he would have filmed the subjects in these environments if he himself doubted they would drop their barriers. This stuck with me throughout Rain In My Heart, a film which I found pretty difficult to watch. I particularly found the way that Watson asked questions respectable, when talking about the monsters in Vandas head she stated she didnt want to talk about it and he was reassuring and moved the conversation away from them. Watson intrudes on his film, importantly (and rather unromantically, when we consider the idea of immersive movie magic) shows him forging all the social contracts with his subjects at the start. As a viewer, it was uncomfortable to watch Watson try and stay professional. However, I would not say these intimacies are exploitative of the sincere as they are constantly asked for permission as to what Watson is filming is ok by them. An example could be when Vanda talks about the monsters in her head, one of the monsters being her abusive father, that pushed her into the terrifying world of self-harm. However, many critics point out how these subjects are all vulnerable and incapable of really understanding what they are signing themselves up for. But for the families and subjects is must be/ must have been a very awkward experience even if they had consented to the film. , we see him completely bare, exposing himself to the audience vulnerable state and he took advantage their! 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