Please Register here or Login here to contribute to this topic by commenting in the box below. the gods are not to blame - ola rotimi (full story, summary and analysis)the gods are not to blame - ola rotimi ( summary and analysis)the setting, backgroun. Viewed from a sociolinguistic perspective, Yoruba proverbs exemplified by those used by Ola Rotimi in The Gods Are Not to Blame and Kurunmi especially, reveal the values of good conduct, respect for elders, the place of royalty, cordiality and cooperation for peaceful co-existence among the Yoruba. A chilling taboo. She further narrated how Baba Fakunle had prophesied that her first son would kill his father and marry her. It is comical and the language used is a version of "Nigerian English" (for example: "Se you get?" An adaptation of the Greek classic Oedipus Rex, set in an indeterminate period of a Yoruba kingdom, the story centers on Odewale, who is lured into a false sense of security, only to somehow get caught up in a somewhat consanguineous trail of events. , Sticky notes Meanwhile, Alaka told him that the people he thought were his parents were not his real parents. Odewale further said that he could no longer stay on his farmland because human blood had been shed on it. She is the mother of six children: two under King Adetusa (Odewale and Aderepo), and four under King Odewale (Adewale, Adebisi, Oyeyemi, Adeyinka). WhatsApp After 11 peaceful years had passed in the reign of Odewale as king of kutuje, a mysterious sickness struck the land and plagued the people of kutuje; of which many died from. Full content visible, double tap to read brief content. king odewale who told will kil his father to marry his mother, in his attempt to run away from this to happen, ran to fulfil it. November 26, 2017. The gods are not to blame: The story is the sad tale of a man named Odewale who has been destined from birth to kill his father and marry his mother. Olawale Gladstone Emmanuel Rotimi, best known as Ola Rotimi (13 April 1938 18 August 2000), was one of Nigeria's leading playwrights and theatre directors. [4] In his work, Rotimi took traditional Yoruban myths, songs, and other traditional African elements, and applied it to the Greek tragedy structure. Owing, in part, to political conditions in Nigeria, Rotimi spent much of the 1990s living in the Caribbean and the United States, where he taught at Macalester College in St. Paul, Minnesota. Odewale: The king of Kutuje, who had risen to power by unknowingly murdering the old king, King Adetusa, whom, also not to his knowledge, was his father. When it is revealed by the Ogun Priest that Ojuola is, in fact, Odewale's mother, she goes to her bedroom and kills herself. As the queen of the kingdom of Kutuje, she finds herself serving as Odewale's conscience, calming him when he begins to act irrationally. 'The Gods Are Not To Blame' is a 1968 play and a 1971 novel by Ola Rotimi. It is an adaptation of the Greek classic Oedipus Rex. Rotimi seals Odewale's fate by having an omen placed over his life at birth. What first swims up to the surface of my memory when I remember this novel is "the place where three footpaths met". : Rotimi's "The gods are not to Blame". The playwright intended for the book to be a sign post for the need for obedience in our society. She was given a prophecy, along with King Adetusa, that their child, Odewale, would one day grow up to usurp the thrown, killing his father and marry his mother. Odewale closes the play by stating, the gods have lied Nathaniel. As the play comes to a close, King Odewale and the townspeople are still trying to figure out the curse on the village. Function: _error_handler, Message: Invalid argument supplied for foreach(), File: /home/ah0ejbmyowku/public_html/application/views/user/popup_modal.php Rotimi is sure to be remembered as a model in the literary genre whose views have shaped the conduct of the theatre and whose plays have demonstrated the power of drama to shape the thinking of the society and attempted to solve some of the problems encountered in everyday living. , Publisher Rotimi's play has been celebrated on two counts: at first scintillating as theatre and later accruing a significant literary aura. Ola Rotimi had an immense knowledge and interest in African cultures, as indicated in his ability to speak several ethnic languages, such as Yoruba, Ijaw, Hausa, and pidgin. In the story of 'The gods are not to blame'; the first son of king Adetusa is _____. In The Gods Are Not To Blame, Rotimi incorporates many themes, such as culture and its connection with the form of the social structure of an African community. The theme of Sophocles' Oedipus Rex is skillfully transplanted to African soil. After two years have passed, Obatala, the god of creation made the queen of kutuje conceive again, and this time she gave birth to another male child which the royal family named Aderopo. People made dramatic entry and exit to the stage around his casket with the man turning his casket. He named him Odewale. Baba Fakunle: A blind, old man, Baba Fakunle serves as a soothsayer to those who seek him. Required fields are marked *. Simply suggest, the use of language is part of culture. She is the mother of six children: two under King Adetusa (Odewale and Aderepo), and four under King Odewale (Adewale, Adebisi, Oyeyemi, Adeyinka). In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature. : One day, an old man accompanied by five bodyguards invaded his farmland and claimed the land to be his. They both fought using their mystical powers but the old man appeared to be more powerful. An ending that really breaks one's heart. The story is the sad tale of a man named Odewale who has been destined from birth to kill his father and marry his mother. The Gods Are Not to Blame Wikipedia May 7th, 2018 - The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi An adaptation of the Greek classic Oedipus Rex the story centres on Odewale who is lured into a false sense of security only to somehow get caught up in a somewhat consanguineous trail of 1220 KB. The Gods Are Not To Blame made its dbut in Nigeria in 1968. Who is to blame in the turn of events?This exciting and thought provoking play runs for 100 minutes is brought to the stage by the THESPIAN Family Theatre \u0026 Productions and our worthy sponsors who share in our dreams. Your curiosity about this PDF will be solved sooner in He brings his sick children for the town to see, that way they know that his family is also suffering. He attended St. Cyprian's School in Port Harcourt from 1945 to 1949, St Jude's School, Lagos, from 1951 to 1952 and the Methodist Boys High School in Lagos, before travelling to the United States in 1959 to study at Boston University, where he obtained a BA in fine arts. When Odewale saw his dead wife (who is also his mother), and realizing he had killed his father, he pulled the knife from her stomach and plucked out his own eyes. Redemption links and eBooks cannot be resold. The practices exhibited in Yoruban culture show the structure of both a social and economical factors. Line: 68 She also gave birth to four children for Odewale, her first son who had murdered his father. "Proverbs deal with issues that border on the values, norms, institutions and artifacts of a society across the whole gamut of the people's experiences. Femi Elufowoju Jr had his first theatre experience in 1975, at the age of 11, when he saw a revival of this very play, performed in a reconstructed Greek amphitheatre at a university campus in Ife; and brought it to the UK shores as a British leading theatre director under the company name Tiata Fahodzi. He had worked so hard here. Upon returning to Nigeria in the 1960s, Rotimi taught at the University of Ife (now Obafemi Awolowo University), where he founded the Ori Olokun Acting Company, and the University of Port Harcourt theater. Does this item contain quality or formatting issues? It's a masterpiece where justice is given a core value in our society and how justice and equity cannot be undermined. His first plays, To Stir the God of Iron (produced 1963) and Our Husband Has Gone Mad Again (produced 1966; published 1977), were staged at the drama schools of Boston University and Yale, respectively. The book is a great read, one that will have you envisioning every aspect of it, making it seem that you are actually watching a theatre performance. : The Gods Are Not to Blame Book Review. Please try again. not so long ago the Yoruba formed a conglomeration of small, pre-industrial, mutually competing city states, as did ancient Attica . The Epilogue: Two unpublished plays of Ola Rotimi. Top subscription boxes right to your door, 1996-2023, Amazon.com, Inc. or its affiliates, Learn more how customers reviews work on Amazon. Aderopo gives good news to Odewale from Orunmila concerning the sickness going around the kingdom, but along with the good news comes the bad. Read more Previous page Reading age 12 - 14 years Print length 82 pages Language English Grade level 2 - 7 i learned that the issue of generation curse is a strong issues. It was also to recognise his contributions to Nigerian as well as world literature. BABA FAKUNLE: This boy, he will kill his own father and then marry his mother (The gods are not to Blame, 2). He is summoned by Odewale to ask of a way to rid the suffering of his kingdom. The play is very rich with oral traditions. Bring your club to Amazon Book Clubs, start a new book club and invite your friends to join, or find a club thats right for you for free. Alaka: Odewale's childhood friend. What the author arrives at is not to prove which gender is superior but to show the complementary roles of men and women. Rotimi's play has been celebrated on two counts: at first scintillating as theatre and later accruing a significant literary aura. Aderopo gives good news to Odewale from Orunmila concerning the sickness going around the kingdom, but along with the good news comes the bad. Function: view, File: /home/ah0ejbmyowku/public_html/index.php Be My rating reflects the level of service I received - not the item itself. His dream of directing a play of 5000 cast members materialized at the Amphi Africa Theater when he was being put to rest as the crowd was drawn to a manuscript of the day's program outline. In 1966 he obtained an MA from Yale School of Drama, where he earned the distinction of being a Rockefeller Foundation scholar in playwriting and dramatic literature. The play was revived by Talawa Theatre Company in a well received production in 1989, sparking interest in the play's themes. The Gods Are Not To Blame is a 1968 play and a 1971 novel by Ola Rotimi. He added that they saw a man in the bush of Ipetu with a baby wrapped in white cloth with his arms and feet tied with strings of cowries. Who is to blame in the play? At this moment, Aderopo came in and Odewale apologized for his wrong accusations against him. File size. Odewale says to the land that the biggest trouble today is not their sickness but instead the plague in their hearts. Help others learn more about this product by uploading a video! Reviewed in the United States on March 2, 2018, Good historical novel by a great writer. Aderopo is also accused of spreading the rumor that Odewale was the one who murdered the old king, Adetusa. If there is any theme that stood out for me, it was the inevitability of reaping what you sow. As the queen of the kingdom of Kutuje, she finds herself serving as Odewale's conscience, calming him when he begins to act irrationally. 1ST CHIEF: Your Highness, the man does not know what he says. However, he would not tell him whom his real parents were. However, his intentions were to privately relate his findings to king Odewale; but unfortunately, Odewale's act of transparency, alongside his pride made him demand for a public answer to Aderopo's enquiry. The village elders gather round to discuss the allegations that have been made against Odewale. Line: 208 This is a play of three acts and ten (10) scenes (act 1: 2 scenes, act 2: 4 scenes, act 3: 4 scenes). The Epilogue: Two unpublished plays of Ola Rotimi. Line: 479 By juxtaposing Alaka in Odewale's new environment, Kutuje, Rotimi illustrates the cultural differences between traditional Yoruban life, with that of the industrialized west. Diminutive in size but a giant in drama in Africa, he was one of the best things that could have happened to the literary community. In the last part Odewale leaves. He consulted an Ogun priest who told him he was cursed, that he would kill his father and marry his mother. + Follow. Odewale finds out that the man who is cursed killed King Adetusa I. Help others learn more about this product by uploading a video! Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. Function: _error_handler, File: /home/ah0ejbmyowku/public_html/application/views/page/index.php Odewale's horrible fate, whether it had been the Seer being silent, or even his parents not ordering his death. His last production was a staging of Man Talk, Woman Talk at the French Institute in Lagos, Nigeria. Line: 315 Despite his best efforts to curb the prophecy that his child, Odewale, would grow up to take the throne by murdering him, he is inevitably slain when he encounters his son, now fully grown, in the village of Ede. Alaka hails from the village of Ishokun. I think that this play is an interesting play which teaches a person of not trying to hide or run away from their destiny. The leadership in the play forms a comparison to that of the King and many of the townspeople. Odewale brings real facts to the people of the land. Sorry, there was a problem loading this page. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. Rotimi is sure to be remembered as a model in the literary genre whose views have shaped the conduct of the theatre and whose plays have demonstrated the power of drama to shape the thinking of the society and attempted to solve some of the problems encountered in everyday living. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. Odewale: The king of Kutuje, who had risen to power by unknowingly murdering the old king, King Adetusa, whom, also not to his knowledge, was his father. The King expresses sympathy to the townspeople for the illness that has been plaguing them. It's about having power over the land and Odewale no longer has the power because the old man took it from him, which is why he turns a hoe, which is a gardening tool, into a sword. The Gods Are Not To Blame Movie By Ola Rotimi Full Movie - Nigerian Movies 2020 Latest Full Movies Afroshesi HD 2.69K subscribers Subscribe 117K views 2 years ago WELCOME TO STRESS DOCTOR. Each chapter will include a brief sketch of the authors life, a resume of the plays, and the development of major and minor characters. His book African Dramatic Literature: To Be or to Become? It's a masterpiece where justice is given a core value in our society and how justice and equity cannot be undermined. Because of its subject matter, The Gods Are Not to Blame is the most accessible of his plays. On Kindle Scribe, you can add sticky notes to take handwritten notes in supported book formats. The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. You have remained in right site to begin getting this info. When Odewale became an adult, an uncle of his told him of his cursed destiny in a proverbial manner. Gbonka: The former messenger of the late King Adetusa. In The Gods Are Not to Blame, Rotimi gives the ageless story a new spin, with a fresh perspective that makes his book a classic. Some aspects of the sociocultural and linguistic problems of teaching English to students of one of Nigeria's major language groups"[7] [1]. The Summary of the Gods are to blame is about boy who was born and was fore seen to end up killing his father as to marry his mother,but he wasn't aware of that fact,until he ended up killing his father in a bush part and married his own mother ,then calamity befell the village ,when he became the king and all his children fell sick at the verge of dieing. 87 pages. Instead of legal jargon, there is humour, arguments and counter arguments. The play consists of three acts and ten scenes as follows; Ola Rotimi's The Gods Are Not To Blame is the series of unfortunate events that occur in King Odewale's life. In the Yoruban culture, like many others, have symbolic. By achieving this feat, the town of kutuje broke tradition by making Odewale the new king of their land. In an attempt to end this plague, king Odewale sent Aderopo (the son of late king Adetusa) to Ile-Ife in order to make enquires concerning the sufferings of the land and its inhabitants. Please read on Essays: Learn how to write Essays here. Aderopo denies the allegations, and Odewale calls forth the Priest of Ogun. As usual with Rotimi, the dialogue is colourful, fecund, brimming with camaraderie or even enmitya superb work. Indeed, culture is the way of life. Reviewed in the United States on September 16, 2014. Akin Odebunmi in Motivated Proverbs In Ola Rotimi's "The Gods Are Not To Blame" uses myths and dances established in Yoruban culture that helps serve as the basis of the play. : "The Gods Are Not to Blame" is a modern updating of the ancient story of disgraced Theban King Oedipus. Function: require_once. Odewale begins to make accusations of a plot being made against him, spearheaded by Aderopo, to one of the village chiefs in response to Baba Fakunle's silence. [nb 1]. Rotimi, a patriot who shunned the attraction of the West and Europe and returned home to contribute his own quota to nation building, was a rare breed. Your email address will not be published. The above further reveals that the destinies of the duo are tied and can't be untie. The radio play Everyone His/Her Own Problem, was broadcast in 1987. It looks like WhatsApp is not installed on your phone. For details, please see the Terms & Conditions associated with these promotions. SYNOPSIS OF THE PLAY The play is a modern dramaturgical experiment on the classical philosophical discourse concerning the concept of destiny and fate element which was started by . Please use a different way to share. Alfred Ajibola | Powered by, Please support Len Academy by becoming a sponsor, patron or by advert placement:   +2348038093033, Summary of the gods are not to blame by Ola Rotimi, her first son would kill his father and marry her, Contact Len Academy for a standard website at an affordable price. Read instantly on your browser with Kindle for Web. Odewale immediately ordered men to bring Gbonka from Ipetu. Kindly share this article via the links below: LinkedIn He makes use of wry humour to seek a level playing ground for resolution of the biases men and women nurse about one another and which affect mutual co-existence of the two. This Gods Are Not To Blame Novel Bing , as one of the most on the go sellers here will entirely be accompanied by the best options to review. But it is set at an undetermined time in the Yoruba culture of Nigeria. as mission from the gods to carry out on earth (The gods are not to Blame, 2). The Gods Are Not to Blame is a 1968 play and a 1971 novel by Ola Rotimi. In conclusion, Google used its doodle to honour the late writer on the 13th of April, 2022 to mark his birthday. However, Odewale, the new king of kutuje decided to know who killed the late king but was told that he was murdered by robbers. Academic Questions in Literature in English. Two examples of the way proverbs do this can be cited from the Yoruba culture", Dictionary of Literary Biography Complete Online, "Preview: The Gods Are Not To Blame, Arcola Theatre, London", "Ola Rotimi: The Man, The Playwright, and the Producer on the Nigerian Theater Scene", https://en.wikipedia.org/w/index.php?title=The_Gods_Are_Not_to_Blame&oldid=1101435945, Plays based on ancient Greek and Roman plays, Short description is different from Wikidata, Wikipedia articles needing clarification from July 2015, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 31 July 2022, at 01:20. The story centres on Odewale, a man born with a destiny he tries to run away from, but inadvertently fulfills them, anyway. Word Wise helps you read harder books by explaining the most challenging words in the book. The Gods Are Not to Blame (Three Crowns Books) Paperback - April 4, 1974 by O. Rotimi (Author) 5 ratings See all formats and editions Kindle $5.00 Read with Our Free App Paperback In this play the theme of Sopocles' Oedipus Rex is skillfully transplanted to African soil. He was born in Sapele, Nigeria; cultural diversity was a recurring theme in his work. Reviewed in the United States on October 8, 2005. Print length. Something went wrong. Barbara Goff and Michael Simpson 2007: c2 92-93. He was born in Sapele, Nigeria; cultural diversity was a recurring theme in his work. Odewale married queen Ojuola who had four children for him. He felt that the future of Nigerian culture cannot continue to be blamed forces from the past, much like Odewale would blame the suffering of his people, in his kingdom, on the sins of the old king, Adetusa. The Gods Are Not To Blame has become canonical in European and American as well as African theatre. Current wife of King Odewale. It is discovered that Ola Rotimi employed proverbs, incantations, metaphor, simile . So begins the tragic tale that leads to heartaches, deaths and sorrows, which will have readers asking whos to blame?. Although his adding of an allegory of colonization and decolonization was a nice bonus, and I did love the ending scene and quote: "It is always best to keep your words soft and sweet, you might never know when you'd have to eat them". Backwards Ever, Forward Never: Too Late for Anything Book Review, Oedipus, Whos to Blame? [9][10] It was nominated for an award at the ESB Dublin Fringe Festival 2003. King Odewales progress towards a full knowledge of the murder and incest that must be expatiated before his kingdom can be restored to health is unfolded with a dramatic intensity heightened by the richness of the plays Nigerian setting. Aderopo: Brother of Odewale, and son of King Adetusa and Ojuola. The Gods Are Not To Blame made its dbut in Nigeria in 1968. Written by Otun Rasheed in 2011, the theatrical adaptation The Gods Are Still Not to Blame brings Rotimi's drama to the twenty-first century. Anyone seeking to familiarize themselves with african folklore or get a gist of the community setting must definately read this book. At birth his parents' joy was cut short when they find out from the oracle. He began to run from one town to another until he finally landed at kutuje, a town that had recently lost their king; 'a king he himself murdered', king Adetusa. Odewale was in touch with his supernatural side, and was quick to call on Ogun, going so far as to swear on the deity which eventually led to his downfall. Additional gift options are available when buying one eBook at a time. Book reviews, interviews, editors' picks, and more. Line: 24 The Gods are not to be blame is a story of a mans fate. [clarification needed] To prevent this from occurring, King Adetusa orders for Odewale to be killed. Alaka: Odewale's childhood friend. To nullify his cursed destiny, he ran away to Ede, a distant land where he bought a farmland at Orita-meta (meaning the place where the three foot paths meet). Page Flip. According to the play, this so-called uncle of Odewale referred to him as 'the butterfly who thinks himself as a bird'. At the end, the reader is left with a ringing conclusion - one can never outrun fate. It particularly highlights the emotional language used in the drama. Instead, he is wrapped in a white cloth (symbolizing death) and left in a bush far from Kutuje. Twitter Although a tragedy but still very entertaining .May the soul of Prof Ola Rotimi rest in peace, Reviewed in the United Kingdom on September 20, 2019. King, Adetusa transplanted to African soil by uploading a video to take handwritten notes in book... Short when they find out from the Gods Are not to Blame is a story of Gods... My rating reflects the level of service I received - not the item itself have! Which teaches a person of not trying to figure out the curse on the village bird ' humour arguments! The suffering of his cursed destiny in a proverbial manner, Sticky notes Meanwhile, Alaka told of... Getting this info which gender is superior but to show the structure of a! Discovered that Ola Rotimi backwards Ever, Forward Never: Too late for Anything book Review the late King I. Which teaches a person of not trying to figure out the curse on 13th... ; joy was cut short when they find out from the oracle plague in hearts. Adult, an uncle of Odewale referred to him as 'The butterfly who thinks himself as a bird.... Also to recognise his contributions to Nigerian as well as world literature loading this.... Was a problem loading this page is skillfully transplanted to African soil tradition by making Odewale the new of. Orders for Odewale, and Odewale calls forth the priest of Ogun is superior to. Fringe Festival 2003 short when they find out from the oracle editors ' picks, Odewale! 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